another sorrow

Another stone dropped into our well of sorrow this morning. After a long struggle she has left us for a more peaceful place. She was 91 - a good age for anyone, and heroic for someone with Alhizmers.  We’ve been prepared, Carm’s been prepared, but it seems that no matter how much we expect death, it surprises.

Art is the child of nature in whom we trace the features of the mothers face.”

~Henry Wadsworth Longfellow

For Sayonara, literally translated, 'Since it must be so,' of all the good-bys I have heard is the most beautiful. Unlike the Auf Wiedershens and Au revoirs, it does not try to cheat itself by any bravado 'Till we meet again,' any sedative to postpone the pain of separation. It does not evade the issue like the sturdy blinking Farewell. Farewell is a father's good-by. It is - 'Go out in the world and do well, my son.' It is encouragement and admonition. It is hope and faith. But it passes over the significance of the moment; of parting it says nothing. It hides its emotion. It says too little. While Good-by ('God be with you') and Adios say too much. They try to bridge the distance, almost to deny it. Good-by is a prayer, a ringing cry. 'You must not go - I cannot bear to have you go! But you shall not go alone, unwatched. God will be with you. God's hand will over you' and even - underneath, hidden, but it is there, incorrigible - 'I will be with you; I will watch you - always.' It is a mother's good-by. But Sayonara says neither too much nor too little. It is a simple acceptance of fact. All understanding of life lies in its limits. All emotion, smoldering, is banked up behind it. But it says nothing. It is really the unspoken good-by, the pressure of a hand, 'Sayonara.”

~Anne Morrow Lindbergh

“May each of us remember this truth; 'one cannot forget mother and remember God. One cannot remember mother and forget God.' Why? Because these two sacred persons, God and mother, partners in creation, in love, in sacrifice, in service, are as one.”

~Thomas S. Monson